lonnie donegan discography

Boll Weevil Blues unissued LD9 April 12, 1953 Hotel Gentofte, Copenhagen, Denmark (Donegan & Barber) Hard Time Blues (KC 9) Storyville The single had a 22-week run on the English charts, peaking at number eight. By 1980, he was making regular concert appearances again, and a new album with Barber followed. WebLonnie Donegan & His Skiffle Group albums and discography on AllMusic including all best, old, and new album information. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. By 1980, he was making regular concert appearances again, and a new album with Barber followed. Cake Walkin Babies (instrum.) © Bruce Eder /TiVo, 198 album(s) The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. Listen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. Light From The Lighthouse. WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 Decca (with The Chris Barber Jazz Band) July 13, 1954: London Lonnie Donegan (gtr, voc. The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, Ive Got Rocks In My Bed. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. Genres: Skiffle. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. Betty, Betty, Betty (Apr - 1958), Battle Of New Orleans (2) He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). above March 1958 sessions, Pye Studios, London, Baby Don't You Know That's Love unissued CD3, c.October 1958 poss Pye Studios, London (Les Bennetts, gtr), Lonnie's Skiffle Party - Pt.1 N 15165 CD3, Bewildered ("Relax with Lonnie") NEP 24107 CD3, c.November 1958 Scottish TV Studios, Glasgow, Does Your Chewing Gum Lose Its Flavour N 15181, P 2042107 CD4, My Only Son Was Killed In Dublin (Dying Rebel) unissued CD4, Battle Of New Orleans ("ruddy British") N 15206 LD2, Battle Of New Orleans ("bloomin' British") N 15206 CD4, c. early September, 1959 Royal Aquarium, Great Yarmouth, September 10/11, 1959 Pye Studios, London (Clyde Valley Stompers), October 22, 1959 Pye Studios, London ("Lonnie Rides Again"), Talking Guitar Blues (British version) N 15237 CD4, c.February 1960 Gaumont Cinema, Doncaster, My Old Man's A Dustman (alt) Polydor 2042 107 LD8, March 5, 1960 New York City ("Yankee Doodle Donegan"), Nobody Understands Me NEP 24127, Atl 2063 CD5, March 10, 1960 New York City (George Barnes, gtr), Sorry, But I'm Gonna Have To Pass NEP 24127, Atl 2123 CD5, Black Cat (Crossed My Path Today) N 15312 CD5, c.August 1961 Winter Gardens Pavilion Theatre, Blackpool, I'll Never Fall In Love Again N 15446 CD6, I'll Never Fall In Love Again (alt) unissued CD6, c.May 1962 Pye Studios, London ("Sing Hallelujah") (Denny Wright, gtr), Good News, Chariot's A'Comin' NPL 18073 CD6, Noah Found Grace In The Eyes Of The Lord " CD6, c.November 1962 poss Brighton, Sussex (w. Max Miller), Cajun Joe (The Bully of the Bayou) (F639) Hick 1345 CD7, Fisherman's Luck (F640) N 15679, Hick 1267 CD7, Louisiana Man (F641) N 15893, Hick 1299 CD7, Interstate Forty (alt) (F642) NPL 18126 CD7, There's A Big Wheel (F644) N 15679, Hick 1267 CD7, Lovey Told Me Goodbye (F647) Hick 1299 CD7, c. early 1965 IBC or Marquee Studios, London ("The Folk Album"), Where In This World Are We Going " , N 15993 CD7, c.June 1965 IBC or Marquee Studios, London, c.October 1966 poss London (Joe Brown, bjo), Who Knows Where The Time Goes " ,F12984 LD1, Come To Australia (Great Uncle Albert Is Dead) Intercord 145001 LP, Jump Down, Turn Around (Pick A Bale of Cotton) Ariola 12604 LD5, 1974 Peer Studios, Hamburg, Germany ("Lonnie Donegan Meets Leinemann"), Does Your Chewing Gum Lose Its Flavour " LP, 1975 Peer Southern Studio ("Lonnie Donegan Meets Leinemann - Country Roads"), 1975 Bonn, Germany (Chris Barber Great Reunion Concert), June 5, 1975 Fairford Hall, Croydon ("The Great Reunion Album"), Does Your Chewing Gum Lose Its Flavour Intercord 145 001 LP, Hit Me Across The Head With A Spoon Mama " LP, March 2, 1977 Air Recording Studios, Oxford St., London (Wrigley's Jingles), 1981 ("The Shakin' Pyramids & Lonnie Donegan" EP), June 5, 1981 ("Lonnie Donegan Jubilee Concert"), 1984 ("Hooked On Number Ones - 100 Non-stop Hits"), 1987 (Monty Sunshine - "Mama Don't Allow"), Ma, He's Making Eyes At Me Pinorrekk HB-P-7012, Issued 1998 ("Muleskinner Blues") (with Van Morrison *), This album was originally called Rock Island Line Rolls On. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. Aint No More Cane On The Brazos. It was exceptionally popular among England's teenagers, who accounted for most of its sales. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." WebScottish-born singer and guitarist who was the greatest star of skiffle, the souped-up folk style that predated British rock & roll. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. Cumberland Gap The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. Lonnie Donegan Hit Parade -- Vol 4 (November 1957) His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. His taste in jazz went toward Louis Armstrong and Gene Krupa. Thanks in advance. On one occasion they opened for the blues musician Lonnie Johnson at the Royal Festival Hall. Donegan's attempt at a recording comeback late in the '60s was unsuccessful, but in 1974, a new boomlet for skiffle music in Germany brought him on tour and into the studio anew, and the following year he and Chris Barber toured together and recorded a new long-player, The Great Re-Union Album. Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. I'm Alabamy Bound Donegan was a pivotal figure in the British Invasion due to his influence in the US in the late 1950s. Ron Bowden - Drums, Denny Wright - Guitars 1956 2 (Aug. 22/23, 1956 Artist descriptions on Last.fm are editable by everyone. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. c.November, 1957 Pinewood Film Studios, Bucks. For LP, just put in Title. In 1952, he formed the Tony Donegan Jazzband, which played around London. On 28 June 1952 at the Royal Festival Hall they opened for the blues musician Lonnie Johnson. Donegan adopted his first name as a tribute. He used the name at a concert at the Royal Albert Hall on 2 June 1952. '.webs.com' : 'none'; --> Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. Two years later it became a hit in England, and it was re-released in the US, where it shot up to #5 on the charts. Inspired by blues music and New Orleans jazz bands he heard on the radio, he resolved to learn the guitar, and bought his first at the age of fourteen. WebInformation on Lonnie Donegan. It was an enormous hit in 1956 (which also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960s) but ironically, because it was a band recording, Donegan made no money from this recording beyond his original session fee. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. To find all LP'S with that song, just keep hitting next. Cet lment a bien t ajout / retir de vos favoris. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. The story goes that the host at the concert got the musicians' names confused, calling them "Tony Johnson" and "Lonnie Donegan", and Donegan was happy to keep the name. 2, Shes Got A Sugar Lip (mistake on LP - should be Sals) My Dixie DarlingHam N EggsLivelyStewballFort Worth JailDead Or AliveSally Dont You GrieveChesapeakeBayIt Takes A Worried ManLost JohnIm Just A Rolling StoneAunt RhodyRock O My SoulThe Golden VanityCorrina CorrinaSeven Golden DaffodilsLumberedA Very Good Year, Come To Australia (Great Uncle Alberts Dead), LPS FEATURING LONNIE - Lonnie tracks only, Traditional Jazz At The Royal Festival Hall, Have Tartan Will Travel (Clyde Valley Stompers), On both of these tracks Lonnie Duets with singer Fiona, Barber, Bilk & Bechet With Lonnie Donegan, This is such a great album all tracks listed, Dont You Rock Me Daddy-O (spelt on cover Daddio), http://lonniedonegan.webs.com/eptracklistings.htm, LP TRACK LISTING FOR EP's GO TO BOTTOM OF PAGE. 1 b/w Lonnie's Skiffle Pt. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. '&utmxhash='+escape(h.substr(1)):'')+'" type="text/javascript" charset="utf-8">')})(); WebLonnie Donegan Meets Leinemann (2-CD) Released in 1999 $11.19 Super Savings List Price: $24.99 Add to Cart Tracks of Disc 1 1. With three Number 1s (Cumberland Gap, Gamblin Man/ Putting On The Style, My Old Mans A Dustman) as well as having hits that peaked at every position in the Top 10. utmx_section("Personal Footer"). He began playing guitar around London, and going to the small jazz clubs springing up around the city. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. Additionally, Donegan was extremely charismatic as a performer, and not just within the context of his time -- he would have found some kind of audience at almost any point in the 1950s in England. Can you list the top facts and stats about Lonnie Donegan? Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. His taste in jazz went toward Louis Armstrong and Gene Krupa. Gloryland 7. Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. Some of the songs from the original Showcase album do show a certain confidence and assertiveness seeping in, moving the music in more of a slick, popular direction. I'm A Ramblin' Man Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. Times Are Getting Hard Boys. In 1967, His song "I'll Never Fall In Love Again" was a #1 US,#4 UK Pop hit for, ("Mule Skinner Blues", "Ham 'N' Eggs", "Nobody's Child", "Ham 'N' Eggs"), ("(It Looks Like) I'll Never Fall in Love Again"), (" (It Feels Like) I'll Never Fall in Love Again"), ? WebExplore releases from Lonnie Donegan at Discogs. _udn = "none"; The record was a hit, racking up sales in the hundreds of thousands. Discography. What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. Lumbered Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. WebAnthony James Donegan MBE , known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Chances are that UA in America was lured into distributing this album by The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. Singles. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. Donegan went on to make a series of popular records with successes including "Cumberland Gap" and, particularly "Does Your Chewing Gum Lose It's Flavour (On The Bedpost Over Night)", his only hit song in the U.S., released on Dot. Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". The Grand Coulee Dam Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. The version of Leroy Carr's "How Long, How Long Blues" is almost as much a jazz piece as a blues workout, with guitarist Denny Wright subbing on the piano. I Shall Not be Moved The disc closes with Donegan's arrangement of "Love Is Strange," cut under the direction of Joe Meek (who suggested the clinking bottle percussion) and given a beat that makes it sound more like a calypso number. Does Your Chewing Gum Lose It's - The man extending the invitation was Chris Barber, himself an aspiring young jazzman. They were successful enough that the National Jazz Federation asked the band to play a show at Festival Hall with American ragtime pianist Ralph Sutton and blues/jazz legend Lonnie Johnson. Among the many tens of thousands of British teens he inspired were members of the Beatles, Gerry & the Pacemakers, and the Searchers. Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." Tom Dooley (Nov - 1958) The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. Diggin My Potatoes / Bury My Body (1956) . Read Full Biography Overview Biography (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. WebMore Than "Pye in the Sky" Review. 28, 1957) Cumberland Gap Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. He was coaxed into his first band one night when someone approached him on the train, saying that they'd heard he was a good banjo player, and invited him to audition for a new group. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Donegan was suddenly a star, with a public that wanted more music from him. Sorted by Bestseller, Vocal Music (Secular and Sacred) - Released by Jasmine Records on 10/12/2012, Folk - Released by M. i. G. - music on 30/09/2016, Pop - Released by Castle Communications on 1/01/1985, Pop - Released by Sanctuary Records on 11/04/2000, Rock - Released by Castle Communications on 1/09/2016, Folk - Released by Before 1962 Recordings on 17/09/2020, Rock - Released by Vantage Music on 4/10/2016, Folk - Released by Bridge Pa Digital on 28/05/2019, Pop - Released by Sanctuary Records on 12/12/2000, Pop - Released by Castle Communications on 1/01/1957, Pop - Released by Retro Music Box on 25/06/2020, Pop - Released by Weishaupt Music & Entertainment on 3/05/2017, Country - Released by Master Tape Records on 10/10/2019, Pop - Released by All I Have To Do Is Dream on 15/11/2019, Pop - Released by Sanctuary Records on 8/09/2014, Country - Released by Black Marlin Records on 29/11/2014, Country - Released by Black Sheep Music on 4/01/2012. . http://www.p.griggsy.btinternet.co.uk/Untitled/Lonnie.html (Memories of Lonnie Donegan by Paul Griggs). Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). Two tracks were omitted from the original recording. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. WebLonnie Donegan Showcase More images Tracklist Wabash Cannonball How Long, How Long Blues Nobody's Child I Shall Not Be Moved I'm Alabammy Bound I'm A Ramblin' Man Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. Dont You Rock Me Daddy - o. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. WebLonnie Lonesome Traveller. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. Note: The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. Summarize this article for a 10 years old. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. Sequel Records has decided to honor Lonnie Donegan with its Lonnie 2000 series, reissuing all of his classic Pye/Nixa sides from 1955 through 1962, and ShowcasePlus is the place to begin. He was an actor and composer, known for We Need to Talk About Kevin (2011), Pawn Shop Chronicles (2013) All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Bottle of Wine 3. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. Rock Island Line John Henry 2, Does Your Chewing Gum Lose It's Flavour (On The Bedpost Overnight) b/w His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. Subscription from $10.83/month 2000, Jazz - Released by RevOla on 22 jul. Yes Suh Smith&Co SSCD1123 LD9. Lonnie Donegan | Discography | Discogs In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. He began playing guitar around London, and going to the small jazz clubs springing up around the city. I'm Alabammy Bound Smith&Co SSCD1172 LD9. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. While Donegan was racking up hits -- "Bring a Little Water, Sylvie" (number seven), "Don't You Rock Me, Daddy-O" (number four), "Cumberland Gap (number six), and "Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight?" Brian Simons - Washboard 1958 In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. He turned to a music hall style with "My Old Man's a Dustman" which was not well received by skiffle fans, or in an attempted but ultimately unsuccessful American release by Atlantic in 1960, but it reached number one in the UK Singles Chart. It seemed to fit, and it caught on; the Ken Colyer Jazzmen became almost as popular for Donegan's between-set skiffle songs as they were for their Dixieland music. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. Carter's "Wabash Cannonball." Putting On The Style But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. http://lonniedonegan.webs.com/pagelinkindex.htm,